Resources
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2000
Any While, Mean Time by Karma Clarke Davis, courtesy of AGO, May 14 2000
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2005
Miss Canadiana: Red, White, and Beautiful Tour Performance by Camille Turner, October 27 2005
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2013
Invisible Empires by Deanna Bowen, courtesy of AGYU, January 16 2013
VISUALIZING HISTORY AND MEMORY IN THE AFRICAN NOVA SCOTIAN COMMUNITY by Sylvia Hamilton, 2013
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2014
The Queen’s English by Corinn Gerber
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2016
#BlackLivesCDNSyllabus Uncovers A Vital Archive by Merray Gerges. July 14, 2016.
A Reflection on Attending "the State of Blackness: from Production to Presentation" Symposium by Felicia Mings. June 16, 2016.
Mas at 94 Chestnut by Anique Jordan, courtesy of AGO, 2016
How Canada forgot its Black Artists by Yaniya Lee, August 31 2016
"And I Alone Escaped to Tell You" by Sylvia Hamilton, courtesy of CBC, 2016
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2017
“All That Is Canadian”: Identity and Belonging in the Video and Performance Artwork of Camille Turner by Sheila Petty, in Desire/Change: Contemporary Feminist Art in Canada. June 2017.
Wanted courtesy of AGO, June 29 2017
WANTED : CAMILLE TURNER AND CAMAL PIRBHAI Nelson, Charmaine A. and Pirbhai, Camal and Turner, Camille. Wanted : Camille Turner and Camal Pirbhai. Toronto, Ont.: Art Gallery of Ontario/Musée des beaux-arts de l'Ontario, 2017.
Why Everybody is talking about Every. Now. Then by Vidal Wu August 24 2017
UNEARTHING BURIED HISTORIES OF AFRICAN NOVA SCOTIAN ARTISTS by Chris Shapones, June 8, 2017
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2018
A Year in Black Art: Concerns about intimacy, world-making, security and survival are necessary to considerations of work by Black artists by Yaniya Lee. December 25, 2018.
Here we Are Here courtesy ROM. January 27 2018
Camille Turner Performance artist Camille Turner uses her works to explore and expose Canada’s racist history and shines a light on the continuing forms of oppression. January 2018
Black Grange Walking Lab, Live performance of Black Grange, April 3 2018
Like No one is Looking Kandis Williams talks about the realities, challenges and excitements of being a Black person in the art world, November 28 2018
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2019
As If by Ramon Amaro. February 14, 2019.
BlackLife: Post-BLM and the Struggle for Freedom by Rinaldo Walcott and Idil Abdillahi. June 2019.
The Feast by Anique Jordan. January 25 2019
Culture Talk: Curator Julie Crooks on Art Gallery of Ontario’s Acquisition of 3,500 Historic Caribbean Photographs by Victoria Valentine, June 23 2019
Flags of Unsung Countries by Liz Ikiriko, September 25 2019
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2020
A Pullout Supplement to: A WHITE INSTITUTION'S GUIDE FOR WELCOMING ARTISTS OF COLOR* AND THEIR AUDIENCES (2016-2020) by Fannie Sosa, © 2020 / Eunice Bélidor for Galerie Galerie.
An oral history of the Black Film and Video Network by Amanda Parris. May 8, 2020.
Yaniya Lee & Andrea Fatona in conversation on Instagram Live courtesy of Vtape, September 23 2020
What Now? An essay by Yaniya Lee courtesy of Vtape, July 31 2020
Art on My Mind courtesy of AGYU, June 2020
Speaking Ourselves into Being by Andrea Fatona and Liz Ikiriko, courtesy of C Magazine, Winter 2020
Nataleah Hunter-Young: Media of Anti-Black Brutality and Its Refusal by Justine Mckenna, June 2020
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2021
ANIQUE JORDAN’S NOWING: A POLITICAL HISTORY OF THE PRESENT by Danielle Taschereau Mamers
Is Love a Synonym for Abolition? by Liz Ikiriko, Isabel Okoro, Timothy Yanick Hunter, September 23 2021
Desire Lines Setting a tone: Pamila Matharu, Makeda Silvera, Andrea Fatona, with respondent Faith Paré courtesy of AGYU, March 26 2021
FRAMING BLACK SISTERHOOD: AN INTERVIEW WITH GIO SWABY BY NYA LEWIS, April 10 2021
PRIVATE ARCHIVES: JORIAN CHARLTON AT GALLERY TPW by Yaniya Lee, May 6 2021
The Way we Are by Jorian Charlton, June 15 2021
Promissory: Some Thoughts on Nya Lewis Williams’ Commit Us to Memory by Noah Lubendo, September 13 2021
Black Art at Night: Jade Byard Peek by I'thandi Munro, February 23 2021